角色

角色

年份:1977

地区:印度

上映:1977

评分:0.0 分

播放:94 次

更新:2020年08月16日

导演:夏姆·班尼戈尔

编剧:夏姆·班尼戈尔|Satyadev Dubey|Girish Karnad|Hansa Wadkar

主演:Smita Patil|Anant Nag|纳萨鲁丁·沙|阿莫瑞什·普瑞|阿莫·帕拉卡|库尔布尚·卡尔班达|Sulabha Deshpande|Baby Ruksana|B.V. Karanth|Dina Pathak|Mohan Agashe|Master Abhitab|欧姆·普瑞|Benjamin Gillani

分类:剧情

Coming from a poor and destitute family, Urvashi is encouraged by her mother, Shanta (Sualbha Deshpande) to be on more than friendly terms with a much older male, Keshav Dalvi (Amol Palekar). Keshav takes a liking to young Urvashi, and encourages her to explore her talents in films, which she does, and does gain popularity, starting as a singer, than accomplishing herself as an actress/singer. She decides to marry Keshav, only to be discouraged by her own mother, but she is strong-willed, and does marry him. She has a baby girl after the marriage, but feels stifled and oppressed with Keshav, and has affairs with her co-star Rajan (Anant Nag), a film producer, Sunil Verma (Naseeruddin Shah), but ends up dissatisfied. Then she meets wealthy Vinayak Kale (Amrish Puri), and decides to settle down with him, little knowing that he is already married to another woman, and also has a son. By the time she finds out it is too late, she has already been accepted in his household, and any woman, whether his own mother(Dina Pathak), his present handicapped wife, and even Urvashi have to follow the rules laid down - no women can leave the house under any circumstances, except after death.
登录后参与评论
失真

#PYIPP#DAY1。同样的导演却玩出了不同的风格,如果《籽苗》是小津式,那么《角色》则是费里尼与伯格曼,注重回忆与往事,虚幻与梦境,导演试图从记忆深处寻找男女关系之间矛盾的解…

回复 举报
胤祥

#3rd PYIFF# 回顾。实心实意的五星。“绝不认命”的女演员,辗转于不同的男人的压迫之中,一直无法获得她想要的自由。其实[千年女优]拍成真人版的话,剧作上基本也就如此吧……几个男人各有各的渣,要数那个导演写得最为传神,丈夫的控制狂写得也相当到位。这部片的视听和剧作还是比较洋气的,回忆部分很不错,傍大款部分其实还有个故意的时间上的模糊,戏中戏用得相当之好,加上印度电影本身又多一重歌舞的表意方式,整体文本做得相当之严密。有些观念和场景非常超前!

回复 举报
亵渎电影

PYIFF38,不同的时期看同一部电影,感受也会完全不一样,对于这样的故事太似曾相识了,某种程度上这算是这个故事里女性形象捕捉到了放在任何国家都适用的共性。女儿,妻子,情人和母亲几个女性一生中的不同身份,遇到不同的男人,辗转到最后,一个独立女性的身份在任何地方其实都不是一件容易的事情。这个印度女明星的身上,可以看到很多好莱坞女明星的影子。导演在故事结构上非常用心,用了很多戏中戏,用不同色彩区分不同的故事线,景深镜头和演员调度依旧是视听课教材的水准,和早三年的前作《籽苗》不太一样,这部在剧作结构和女性形象上太有野心了。

回复 举报

也许您会喜欢

  • 电影
  • 电视剧
  • 综艺
  • 动漫
  • 纪录片